Citizen Journalism conference – now booking online

[Keyword: , , , ]. As promised, MediaSkills.org now has further details of the Citizen Journalism conference planned for January 26, where the BBC’s Vicky Taylor, blogger Tom Reynolds and Trinity Mirror’s Michael Hill will all be speaking on how the media and citizen journalists can better work together.

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Paul Bradshaw lectures on the Journalism degree at UCE Birmingham media department. He writes a number of blogs including the Online Journalism Blog, Interactive PR and Web and New Media

Videos of important people talking

[Keyword: , , , ]. Journalism.co.uk recently held its first Readers’ Revolution speaking event with guests Clyde Bentley, associate professor at Missouri School of Journalism, Robin Hamman, BBC blog network producer, and Kevin Anderson, the Guardian’s recently appointed blogging guru. Watch all three in glorious pixelated YouTube video at http://www.journalism.co.uk/news/story3104.shtml

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Paul Bradshaw lectures on the Journalism degree at UCE Birmingham media department. He writes a number of blogs including the Online Journalism Blog, Interactive PR and Web and New Media

Canadian citizen journalism website

[Keyword: , , , ]. The editor of Orato.com has emailed me to alert me to their presence. In her own words:

“We are a citizen journalism news Web site based in Vancouver, Canada that aims to put a human face on the news by showcasing vivid, first-person stories from individuals involved in current events.

“We are driven by the belief that writing in the first person is more compelling than traditional journalism because it almost always requires the inclusion of personality. Third-person “he-said-she-said” reporting can mask the truth while making the reporter’s prejudice appear objective.

“We invite ordinary people to tell their stories for free, letting readers vote on their favourites. The highest-rated stories star on the web site’s main pages, netting citizen journalists’ names high ratings and exposure on web search engines.”

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Paul Bradshaw lectures on the Journalism degree at UCE Birmingham media department. He writes a number of blogs including the Online Journalism Blog, Interactive PR and Web and New Media

The arrogance of the traditional newspaper

[Keyword: , , , ]. Jen McClure talks about New York Times chairman and publisher Arthur Sulzberger’s talk about citizen journalism and its effect on the New York Times and traditional media model:

“While Mr. Sulzberger stated that his newspaper and others are increasingly embracing citizen journalism in some way, he seemed to exhibit what I would characterize as arrogance about the unchallenged role of arbiter for the New York Times and the traditional media model in today’s society. He spoke of the NYT pursuing its role the way it has for the last 150 years, and seemed quite comfortable in discounting the knowledge, wisdom and emerging influence of new citizen journalists and the social media movement. This is only a two-minute clip and admittedly his comments could have been taken out of context, but I invite you to check it out and share your thoughts and opinions here. “

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Paul Bradshaw lectures on the Journalism degree at UCE Birmingham media department. He writes a number of blogs including the Online Journalism Blog, Interactive PR and Web and New Media

The rise of community journalism

[Keyword: , , , ]. The British Journalism Review includes a relatively brief piece by Stephen Kingston on ‘community journalism’ (a term I would include some citizen journalism under) and the reasons for its rising popularity:

“Welcome to Salford, the epicentre of some of Europe’s biggest regeneration projects – and home of the free, independent Salford Star magazine, which, among other things, aims to ensure that Salfordians living in some of the most deprived areas in Europe get a fair deal. So far, Salfordians aren’t happy with their deal. The Star’s summer issue revealed how more than £15 million of regeneration money is being pumped into the awardwinning Urban Splash “upside-down terraced house” development – bedrooms on the ground floor, living accommodation upstairs – in Salford’s Chimney Pot Park area, for a return to the community of not one single affordable home in its first phase. That’s a scandal. And there’s more. Lots more.

“This particular story was sitting up and begging to be written. The reason why it never broke – despite God knows how many well-paid writers working for the nationals down the road in Manchester – is the reason community journalism is on the rise. The “proper” journalists, who are supposed to be the guardians of democracy, accountability and stuff like that, are swallowing the hype and either can’t be arsed or haven’t got the time to investigate it. They’ve got no personal stake in the place. Instead, Urban Splash riding into a “crap place” – U.S. chairman, Tom Bloxham’s words – and saving the day by making the neighbourhood funky makes a good, quick, cheap feature, alongside all those Harvey Nicks-type ads.”

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Paul Bradshaw lectures on the Journalism degree at UCE Birmingham media department. He writes a number of blogs including the Online Journalism Blog, Interactive PR and Web and New Media

A guide to Web 2.0 for newspapers

[Keyword: , , ]. Here’s a useful document for any publishers wondering what to do with the opportunities of web 2.0. Strangely, the whole thing is in Flash, and even more strangely, it tries to replicate a traditional magazine (pages turn, complete with rustling sound effect). Hardly web 2.0 (the tag cloud is particularly frustrating, as it’s simply an image), but if you can put that aside it’s a good beginner’s guide.

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Paul Bradshaw lectures on the Journalism degree at UCE Birmingham media department. He writes a number of blogs including the Online Journalism Blog, Interactive PR and Web and New Media

Review: Convergence Journalism (Kolodzy)

This originally appeared in the Blogger-hosted predecessor to this website.

‘Convergence’ is one of many buzzwords currently doing the rounds in the news industry, and like many buzzwords, there is often confusion about what it actually means. For some it represents a new model of mixed-media journalism; for others it represents a change in organisational structure.

For Janet Kolodzy it’s both, and more besides. Kolodzy takes that term ‘convergence’ as her starting point, and spends the whole of the first chapter outlining its different forms – from the convergence of technologies that has taken place with digitisation, to economic convergence in media ownership, through to the journalistic convergence that is seeing both a combination of media forms into one ‘multimedia’ form, and a multiplication of delivery systems.

From there she looks at how newsroom practices have had to change as a result of convergence, and at news values. To her credit she speaks to the people working in converged newsrooms and the book is littered with case studies – essential when looking at a medium that is being made up as we speak – and there are conceptual models for the theorist too.

There is a chapter on gathering and producing a news story in a convergent age, which gives a good insight into the different considerations in gathering video and text material – although more thought could have been given here to audio and interactivity. Indeed, a journalist following the steps outlined here would be guilty of traditional linear storytelling: while interviews are covered, for example, no mention is made of the option to get readers to post questions online, or indeed to arrange a live chat.

These ideas are left instead for the chapters on broadcast, print, and online ‘basics’. To her credit here Kolodzy does not stop at how to write for the web but also outlines non-linear forms from polls and forums to quizzes, timelines, calculators, slideshows, animations, webcasts and podcasts. A traditional journalist could be forgiven for getting dizzy at the raft of options – and that’s even before we’ve covered “Participatory journalism” (citizen journalism, wikis), which is given a chapter of its own under ‘The Next Wave’ section.

It is a sign of how fast things are moving that that particular ‘next wave’ is probably already with us, but in the final chapter Kolodzy quotes media design consultants Bowman and Willis on a trend that may be more significant in the longer term: “While news organisations may see their audiences as readers and viewers,” she notes, “the next wave are increasingly gamers, who like to explore.”

This is an unusual book. Most authors would identify themselves as practitioners or academics, and set out to appeal to an audience in their own image: either the budding journalist, or the student of the craft. Convergence Journalism, however, dares to assume the reader is interested in both the how and the why. Perhaps we are finally seeing a convergence of the two?

Review: Convergence Journalism

[Keyword: , , , ]. The following review of Convergence Journalism by Janet Kolodzy will appear in the journal ‘Journalism’:

convergence journalism cover
Review: Convergence Journalism

‘Convergence’ is one of many buzzwords currently doing the rounds in the news industry, and like many buzzwords, there is often confusion about what it actually means. For some it represents a new model of mixed-media journalism; for others it represents a change in organisational structure.

For Janet Kolodzy it’s both, and more besides. Kolodzy takes that term ‘convergence’ as her starting point, and spends the whole of the first chapter outlining its different forms – from the convergence of technologies that has taken place with digitisation, to economic convergence in media ownership, through to the journalistic convergence that is seeing both a combination of media forms into one ‘multimedia’ form, and a multiplication of delivery systems.

From there she looks at how newsroom practices have had to change as a result of convergence, and at news values. To her credit she speaks to the people working in converged newsrooms and the book is littered with case studies – essential when looking at a medium that is being made up as we speak – and there are conceptual models for the theorist too.

There is a chapter on gathering and producing a news story in a convergent age, which gives a good insight into the different considerations in gathering video and text material – although more thought could have been given here to audio and interactivity. Indeed, a journalist following the steps outlined here would be guilty of traditional linear storytelling: while interviews are covered, for example, no mention is made of the option to get readers to post questions online, or indeed to arrange a live chat.

These ideas are left instead for the chapters on broadcast, print, and online ‘basics’. To her credit here Kolodzy does not stop at how to write for the web but also outlines non-linear forms from polls and forums to quizzes, timelines, calculators, slideshows, animations, webcasts and podcasts. A traditional journalist could be forgiven for getting dizzy at the raft of options – and that’s even before we’ve covered “Participatory journalism” (citizen journalism, wikis), which is given a chapter of its own under ‘The Next Wave’ section.

It is a sign of how fast things are moving that that particular ‘next wave’ is probably already with us, but in the final chapter Kolodzy quotes media design consultants Bowman and Willis on a trend that may be more significant in the longer term: “While news organisations may see their audiences as readers and viewers,” she notes, “the next wave are increasingly gamers, who like to explore.”

This is an unusual book. Most authors would identify themselves as practitioners or academics, and set out to appeal to an audience in their own image: either the budding journalist, or the student of the craft. Convergence Journalism, however, dares to assume the reader is interested in both the how and the why. Perhaps we are finally seeing a convergence of the two?

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Paul Bradshaw lectures on the Journalism degree at UCE Birmingham media department. He writes a number of blogs including the Online Journalism Blog, Interactive PR and Web and New Media

Should citizen journalists be better rewarded?

[Keyword: , , , ]. More on Citizen Journalism from Graham Holliday, who asks “Should citizen journalists be better rewarded?” after Yahoo! and Reuters joined forces to bring us ‘You Witness News’ (yep, another CJ ghetto). The catch? “Users will not be paid for images displayed on the Yahoo and Reuters sites. But people whose photos or videos are selected for distribution to Reuters clients will receive a payment.” although “the company had not yet figured out how to structure those payments. The basic payment may be relatively small, but [the Reuters president] said Reuters was likely to pay more to people offering exclusive rights to images of major events.”

I’ll leave Graham the last, very eloquent, word:

“If it’s good enough for a hugely profitable company such as Reuters to use, then it’s good enough for Reuters to pay a Reuters rate to the person creating that content.

“Despite the incursions of big media, one of the things the social – or people’s web – still manages to hold dear is a sense of ethics. Wrongdoers are rapidly banged to rights, rightdoers are a cause celebre.

“Celebrated cases are heavily linked to, and in a world where links rule, companies, decision makers and bloggers all live or die by the thoughts, feelings and analysis of those conversing in the crowd.

“It’s all well and good old media bumbling into our media world, but don’t come cherry picking without being prepared to cough up the readies. Throw crumbs and you’ll find them spat back at you.

“And whatever you do, be straight up with us. If you have no intention of paying us, say so now. Procrastination only breeds suspicion.”

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Paul Bradshaw lectures on the Journalism degree at UCE Birmingham media department. He writes a number of blogs including the Online Journalism Blog, Interactive PR and Web and New Media