Last week saw the third Data Journalism UK conference, an opportunity for the country’s data journalists to gather, take stock of the state of the industry and look at what’s ahead.
The BBC Shared Data Unit’s Pete Sherlock kicked off the event, looking back at the first 18 months of the unit’s existence. In that period the unit has trained 15 secondees and helped generate over 600 stories across more than 250 titles in the regional press.
Both stories resulted in strong pushback – from the Ministry of Justice and the electric car industry respectively – but their new data journalism skills gave them the confidence to persist with the story. Continue reading →
Remember the audio slideshow? Once one of the most compelling editorial formats – and a truly web-native one at that – it is now rare to see them on a news website. And a whole wave of audio slideshow work is starting to disappear from the web.
What a pleasant surprise to visit a profile page on The Guardian website and see a big, prominent link to the member of staff’s public key. Is this routine? It seems it is: an advanced search for profile pages mentioning “public key” brings up over 1000 results. Continue reading →
Is virtual reality the next step for video journalism? Catalina George looks at The Guardian’s forthcoming VR project about solitary confinement: 6×9.
The Guardian’s new media project 6×9 aims to give users an experience of solitary confinement through the use of virtual reality technology. Due to launch in April, Francesca Panetta, multimedia special projects editor, explains the project:
“6×9” is an immersive experience of solitary confinement in US prisons, which places viewers in a virtual segregation cell which they can explore and interact with. It aims to tell a story of the psychological damage that can ensue from isolation.
The story found that most requests were made by private individuals, not politicians or criminals. Image: The Guardian
Sylvia Tippmann wasn’t looking for a story. In fact, she was working on a way that Google could improve the way that it handled ‘right to be forgotten‘ processes, when she stumbled across some information that she suspected the search giant hadn’t intended to make public.
But it was the way that Tippmann stumbled across the story that fascinated me: a combination of tech savvy, a desire to speed up work processes, and a strong nose for news that often characterise data journalists’ reporting. So I wanted to tell it here. Continue reading →
This has been the election when the geeks came in from the cold. There may be no Nate Silver-style poster boy for the genre this side of the pond – but instead, I believe we’ve finally seen the culmination of a decade of civic hacking outside the newsroom. And if anyone deserves credit for that, it is not the Guardian or the Telegraph, but MySociety, Tweetminster, and Democracy Club.
In the time between that election and this one, however, two things have changed within the news industry: firstly, a more code-literate workforce, including dedicated data project teams; and secondly, the rise of mobile, social media-driven consumption and, as part of that, visual journalism. Continue reading →
Newspaper front pages the morning after the leaders debate. Most newspapers also liveblogged the debate on their websites.
Last night saw the leaders of 7 political parties in the UK debate live on TV. But part and parcel of such a debate these days is the ‘second screen’ journalism of liveblogging. In this post I look at how different news organisations approached their own liveblogs, and what you can take from that if you plan to liveblog a debate in the future (for example this one). Continue reading →
Until recently a journalism trainer in the UK could safely berate a trainee for Writing Headlines Where Every Word Began With A Capital.
It is a style of headline writing common in US publications, but non-existent in the UK, where newspapers have traditionally fit into one of two camps: the SHOUTY SHOUTY REDTOPS and the broadsheets who Only make the first letter uppercase unless there’s a proper noun.
(The mid-markets, as might be expected, took the best of both worlds, reserving shouting for the front pages and lower case for the inside pages).
So a journalism trainee who Wrote Like This had likely never paid much attention to newspapers, or only when they appeared in Hollywood films.
Or perhaps they just read Guido Fawkes, who, for whatever reason appears to have followed the Hollywood style of headline writing: