Rounding up the best posts of the year is a good habit to get into, but one that I’ve failed to acquire. In 2014 – the ten year anniversary of this site – I rounded up the year’s best performing posts, which does give you a flavour of what was happening that year — but I forgot to repeat it for 2015.
Here, then, are some reflections on the 10 pieces which did best in 2016 (there were 100 posts across the year), plus the older posts which keep on giving, and a comparison of some pieces which did far better on Medium than on OJB. Continue reading
Remember the audio slideshow? Once one of the most compelling editorial formats – and a truly web-native one at that – it is now rare to see them on a news website. And a whole wave of audio slideshow work is starting to disappear from the web.
The page for BBC’s Jazz junctions – riding New York’s A Train now lacks the audio slideshow it once held, while The Guardian is awash with pages showing gaps where a slideshow should be – like After the riots and Timbuktu’s ancient manuscripts (both from 2007), error messages about Flash (from 2010 and 2011) – or no pages at all in the case of Shrimp fishing in the Wash or Somalia’s refugee camps.2012 seems to have been the last time audio slideshows were part of the fabric in the UK: most of the work on the Guardian’s Audio Slideshows section is from that year, while it represents the peak of production at the BBC. Here’s just a selection: Continue reading
Every so often a journalism student sends me questions for an assignment. I publish the answers here in the FAQ series. The latest set comes from a student in Australia writing for Upstart magazine at La Trobe University, and focuses on the local press.
1. Is the reader not worth as much on the internet?
Readers have always been worth different amounts in different contexts. It’s not that the reader is ‘not worth as much on the internet’, but that most readers on most websites are worth less. Continue reading
For 45 minutes every weekday night the BBC airs its current affairs program Newsnight. Today, however, the UK needs a little more than 45 minutes to get its head around ‘events‘.
And so, the day that the UK voted to leave the European Union, Newsnight is using Facebook Live to essentially run its own 24 hour TV channel. Beginning with Chris Cook as the UK woke to the result, through to Evan Davis as the day ends, it’s a sign of how a news programme can work around the limitations of broadcast. No fancy studio, no lights and make up: just a journalist and a webcam. Well worth watching.
Last month Basile Simon from BBC News Labs gave a talk at the CSV conference in Berlin: a two-day “community conference for data makers” (notes here). I invited Basile to publish his talk here in a special guest post.
At BBC News Labs, we’ve been pushing for more linked data in news for years now. We built a massive international news aggregator based on linked data, and spent years making it better… but it’s our production and live services who do the core of the job today.
We’re trying to stay relevant and to model our massive dataset of facts, quotes, news and articles. The answer to this may lie in structured journalism.
Starting in 2012, News Labs was founded to play with linked data. The original team, comprised of many data architects, strongly believed this was a revolution in the way we approached our journalism.
They were right. Continue reading
The media’s reaction to David Bowie‘s death from cancer early this morning demonstrates just how widely curation has become in journalism practice – and specifically, how it has become the web native version of the obituary. Below I’ve done a bit of curation of my own: 8 13 16 ways that different publications used curation to mark the death of a legend. If you have seen others, please let me know.
1. Liveblogging curation
The Telegraph’s live reporting of Bowie’s death is an example of curation itself, incorporating just some of the following elements:
- The Facebook update of the statement confirming Bowie’s death
- Embedded tweets from key figures reacting to the death
- A video playlist
- A single video of his last single, along with other videos to illustrate reactions
- A posting from Bowie’s official Instagram account