“If we don’t move with it then the low-brow side wins”: obstacles to gamification part 2: perceptions, standards and time

http://www.ipadio.com/embed/v1/embed-352x200.swf?phlogId=142401&phonecastId=4593835

Click on the player above to listen to full audio of Alex’s interview

In the second of two guest posts for OJB (read the first part here), Alex Iacovangelo interviews Al Jazeera’s Juliana Ruhfus (full audio above) on the reasons why gamification has not been more widely used in journalism.

What is a game? Why audiences like games, and editors don’t

The word ‘game’ attracts new types of audiences, especially when so many are gamers, but within the news business it can have the opposite effect internally, especially when pitching.

“It was the word ‘game’ that put people off,” says Juliana.

“I’ve tried explaining what gamification is as a process and once you actually break down the mechanics people really get it, but it is the word – because games aren’t seen as serious.

“People raise their eyebrows and I was very careful when I pitched it.”

Some news organisations may see a risk to their brand in having a section for news games, while any mistakes might be expected to look worse if made in game form.

The gaming industry is set in the world of imagination. Journalism is set in the word of facts. But both rely on creativity. And gamification is not the same as video games.

The negative reaction to the word ‘game’ is a hangover from a previous generation to whom gaming was just a cute hobby, mainly for kids.

But gaming, and gamers, have moved on, as a form of art and a sportGames awards are now overseen by the same bodies as television and film, and women and over-20s now make up the majority of game players.

What is a game? The problem of public perceptions of games and journalism

There is some education to be done surrounding what journalism gamification is.

Journalism games differ from traditional gaming in there is no ‘win’ or ‘lose’: only goals to work towards, or accomplishments to earn.

bbc comet game

The BBC used a game to tell the story of the Rosetta mission to land a robot on a comet

Gamification uses something akin to positive reinforcement, not focused on competition with others (although that is a form of gamification in other businesses with different goals).

It is meant to supplement current journalism, not replace it. It is an opportunity to communicate and explore those ‘boring’ or complicated stories, which are difficult to tell in 300 words, in an engaging and understandable manner.

A second assumption which needs to be challenged is that gamification is a gimmicky way to get pageviews. But, as Al Jazeera demonstrated through good game design, it can be used to teach the audience about important stories that they would normally have skipped over.

If done correctly, gamification can connect citizens with their own societies by engaging with them in depth over these important, albeit sometimes dry, stories – rather than relying on quick and short updates that assume the reader has prior knowledge and the motivation to maintain that.

Games offer an opportunity to give online news depth alongside the brevity it is better known for.

What is a game? The need to form a team to handle gamification and set guidelines

“The problem,” says Juliana, “is that you need a much larger team: programmers obviously; designers; and so on.”

With no permanent journalistic teams created to oversee or manage gamification in journalism it clearly will not grow as fast as it has in education or even social media.

Those considering a gamification project have no existing guidelines to rely on, meaning any research on gamification has to be done from scratch by any team.

Social media provides a useful precedent here: even now large news groups continue to reform their social media teams, create new roles and hire new staff in order to better manage and monitor social platforms. Some are still trying to perfect their entire digital team.

Gamification in journalism is in desperate need of such a group or for existing groups to set guidelines for these projects.

Games are old news: the timeliness problem

News is time-sensitive: what was interesting last week is old news the next. But games can’t be made overnight, so projects need to be:

  • Ongoing
  • Have significant public interest
  • Or have the potential to develop over time

Al Jazeera’s illegal fishing story for example is an ongoing problem of significant public interest.

What is a game? Tradition and the fear factor

There are also those that quite simply hold on to tradition, perhaps based on the basic human fear of change. Juliana said:

 “You often have two groups of news gathers. You have one group that is really pushing boundaries and are really engaged where media is heading, such as Paul Bradshaw, and I think that group gets gamification immediately. Than you get one group that just doesn’t get it”.

Tradition seems to be one of the strangest reasons to avoid gamification – considering the field of news is all about reporting change.

Just like the news they handle, journalists need to continually be looking for the next big thing in their industry. Social media generated the same fear response some years ago, not helped by high-profile cases of unprofessional behaviour by journalists.

The positives clearly outweighed the negatives in the end. As Juliana bluntly puts it:

“We, as ‘serious’ journalists, if we don’t move with it then the other side wins: the low-brow content will win. We have to adapt, so we don’t die.”

The full interview with Juliana can be heard below:

http://www.ipadio.com/embed/v1/embed-352x200.swf?phlogId=142401&phonecastId=4593835

A version of this post was originally published on Online Offline Journalism

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One thought on ““If we don’t move with it then the low-brow side wins”: obstacles to gamification part 2: perceptions, standards and time

  1. Pingback: 3 reasons why journalists are wary of gamification: an interview with Al Jazeera’s Juliana Ruhfus | Online Journalism Blog

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