Jonathan has taken dozens of segments from the cartoon archives, and dozens of voice clips from Glenn Back, to create a new jigsaw from existing pieces, satirising the North American Right.
This is work of studio quality. Alternatively, it can be produced by an individual in their bedroom, and can potentially in this case be a career-creating “splash”.
Either way, it demonstrates how high the bar can be raised. It also illustates the advantages of having a liberal set of copyright laws. How difficult would it be to make this in the UK?
Here’s the Youtube blurb:
“This is a re-imagined Donald Duck cartoon remix constructed using dozens of classic Walt Disney cartoons from the 1930s to 1960s. Donald’s life is turned upside-down by the current economic crisis and he finds himself unemployed and falling behind on his house payments. As his frustration turns into despair Donald discovers a seemingly sympathetic voice coming from his radio named Glenn Beck.
“This transformative remix work constitutes a fair-use of any copyrighted material as provided for in section 107 of the US copyright law. “Right Wing Radio Duck” by Jonathan McIntosh is licensed under a Creative Commons BY-NC-SA 3.0 License – permitting non-commercial sharing with attribution.”
As a contrast, this below is an agitprop video produced by Lib Dem campaigners within a few hours of Gordon Brown’s decision to back away from holding an Election in Autumn 2007. This one was made so quickly, that they used a US version of “The Grand Old Duke of York”.
The question is no longer just a hypothetical one. With increasing convergence between social media and traditional content, what is known as a traditional news website might not exist in the coming years.
Perhaps a revealing example is the creation of Facebook applications by a Seattle-based aggregator, NewsCloud, which received a grant from the Knight Foundation to study how young people receive their news through social networks.
With developer Jeff Reifman leading the way, NewsCloud has developed three applications (Hot Dish, Minnesota Daily and Seattle In:Site) that engage users in news content through linking to stories by providing a headline, photo and blurb. The applications also allow them to blog, post links themselves and much more – all while getting points for completing “challenges” that can be redeemed for prizes, which works as an incentive to stay engaged. Prizes include everything from t-shirts to tickets to a baseball game to a MacBook. Some of these challenges are online ones (sharing a story, commenting on content, blogging, etc.) and others are offline challenges (attend a marketing event, write a letter to the editor). Continue reading →
Information is changing. The news industry was born in a time of information scarcity – and any understanding of the laws of supply and demand will tell you that that made information valuable.
But the past 30 years have seen that the erosion of that scarcity. Not only have the barriers to publishing, broadcast and distribution been lowered by desktop publishing, satellite and digital technologies, and the web – but a booming PR industry has grown up to provide these news organisations with ‘cheap’ news.
Information is changing. Increasingly, we are not seeking information out – instead, it finds us. The scarcity is not in information, but in our time to wade through it, make meaning of it, and act on it.
Elections bring out the best in online journalism. News organisations have plenty of time to plan, there’s a global audience up for grabs, and the material lends itself to interactive treatment (voter opinions; candidates’ stances on various issues; statistics and databases; constant updates; personalisation).
Thanks to James Thornett for pointing out this wonderful tool. MapTube allows you to select any two or maps and combine them, so: “For example, to see a map of the London Underground overlayed on top of a map of population, go to the search page and enter the keywords “tube” and “population”. Then click on the two relevant maps to add them. They will be displayed when you click on “View”.”
Not only that, but you can add your own data and combine them with others too, something which the BBC – James’ employer – has done on user surveys on issues such as the credit crunch and anti-social behaviour.
If you manage to have a play, let me know how you get on.
Continuing the final part of this series (part 1: Community is here) I look at conversation. I look at why conversation is becoming a form of publishing itself, why journalists need to be a part of that conversation, and a range of ways they can join in. Continue reading →