Tag Archives: Andy Dickinson

Here’s how we teach creativity in journalism (and why it’s the 5th habit of successful journalists)

In the fifth in a series of posts on the seven habits of successful journalists, I explore how creativity can be developed in trainee journalists. You can read the posts on curiosity, scepticism, persistence and empathy here.

Describing journalism as a creative profession can cause discomfort for some reporters: we portray journalism as a neutral activity — “Just the facts” — different to fiction or arts that appear to ‘create something from nothing’.

But journalism is absolutely a creative endeavour: we must choose how to tell our stories: where to point the camera (literally or metaphorically), how to frame the shot, where to cut and what to retain and discard, and how to combine the results to tell a story succinctly, accurately and fairly (not always the story we set out to tell).

We must use creativity to solve problems that might prevent us getting the ‘camera’ in that position in the first place, to find the people with newsworthy stories to tell, to adapt when we can’t find the information we want, or it doesn’t say what we expected (in fact, factual storytelling requires an extra level of creativity given that we can only work with the truth).

All of those are creative decisions.

And before all of that, we must come up with ideas for stories too. The journalist who relies entirely on press releases is rightly sneered at: it is a sign of a lack of imagination when a reporter cannot generate their own ideas about where to look for news leads, or how to pursue those. Continue reading

Here are 9 email newsletters about data… I think you’ll like at least 4 of them

fairwarning metrics

Sophie Warnes doesn’t just round up data journalism in her emails, she *does* data journalism *about* her emails

As the first group of MA Data Journalism students prepare to start their course this month, I’ve been recommending a number of email newsletters in the field that they should be following — and I thought I should share it here too.

Here, then, are 9 email newsletters about data — if I’ve missed any please let me know. Continue reading

‘Chunking’ online content? Don’t assume we start at the same point

Online multimedia production has for a few years now come with the guidance to ‘chunk’ content: instead of producing linear content, as you would for a space in a linear broadcast schedule, you split your content into specific chunks of material that each tackles a different aspect of the issue or story being covered. Interfaces like these show the idea in practice best:

Being a Black Man interactive

The concept is particularly well explained by Mindy McAdams (on text), and Andy Dickinson (on video, below): Continue reading

Host your own crowdsourced investigation with the Help Me Investigate plugin

Help Me Investigate as it looked 2 years ago

When we open-sourced the code for Help Me Investigate the plan was to move from a single site to a decentralised, networked structure. Now, thanks to Andy Dickinson, it has become even easier for anyone to host their own journalism crowdsourcing platform.

Since a conversation a couple of months ago, Andy has been tweaking a WordPress plugin that replicates the functionality of the previous Help Me Investigate site. It’s now ready for use.

The plugin adds an ‘Investigations’ page to your self-hosted WordPress blog which holds ‘sticky’ pages for any investigations you want to pursue, and allows you to break those down into distinct challenges that anyone can contribute to.

You can also add tags and grade progress, and limit access to make an investigation more private. Full functionality and limitations are listed on the plugin page. Continue reading

The New Online Journalists #8: Ed Walker

As part of an ongoing series on recent graduates who have gone into online journalism, online communities editor Ed Walker talks about what got him the job, what it involves, and what skills he feels online journalists need today.

I graduated from the University of Central Lancashire School of Journalism in 2007 with a BA (Hons) first-class in Journalism. I specialised in online journalism in my final year and was taught by the digital yoda that is Andy Dickinson.

As part of my degree I was taught how to do HTML/CSS, built websites from scratch, shot video, chopped up audio, used RSS feeds for newsgathering, wrote stories, blogged using WordPress, used content management systems and all that lovely stuff.

During the course it was obvious that you needed real experience – not just Microsoft Word-submitted stories to a lecturer – to get on in the industry. I started writing for my student paper, Pluto, as soon as I arrived – it was then in a monthly magazine format – and was part of the team that turned it into a fortnightly newspaper.

In 2005 we took the paper online for the first time with Pluto Online and I moved up to Assistant Editor before winning the election to become editor for a year.

We had some good splashes, with two stories going national, and we picked up two awards at the Press Gazette Student Journalism Awards 2008: the Scoop of the Year for an undercover investigation into an essay writing company run by a UCLan student; and one of our reporters picked up Student Reporter of the Year. Continue reading

The New Online Journalists #5: Nigel Barlow

As part of an ongoing series on recent graduates who have gone into online journalism, founder of Inside The M60 Nigel Barlow talks about what led him to launch his own news site, and where it might go next.

At the age of 43 I took the momentous decision to come out of finance and business and train to become a journalist starting a 3 year course at UCLAN.

I think I quickly realised that journalism was undergoing a massive change both in technology and in business and I quickly got into the conversation in my first year using blogging and then Twitter as well as attending as many journalism conferences in the flesh as possible.

For me the tools of new media, blogs, easy to use video, Twitter, RSS feeds etc. were a necessary tool for anyone wanting to break into journalism.

But more than that, it was changing the fundamentals of the economics of publishing and making me think that the route for me would be to go down the low cost route of setting up a niche site. Continue reading

10 Twitter users that every journalism student should follow?

UPDATE: From the comments: similar lists now available for Norway and Sweden.

I will soon begin teaching my annual module in Online Journalism and one of the first things I get the students to do is set up a Twitter account. It’s often a struggle to demonstrate the usefulness of Twitter, so this time around, in addition to following each other, I’m going to give them 10 people to start following from the off. This is the list I’ve come up with – would welcome your suggestions for others:

  1. @davelee – former journalism student and excellent blogger who landed a plum job at the BBC after graduating. Get the point?
  2. @channel4news – example of how a news organisation can use Twitter in a personal, conversational way, rather than simply republishing its RSS feed (see also: @r4news, @mashable) Continue reading

Removing Nofollow on blog links and meta – and invisible comments

A couple months ago I installed a plugin on the blog that meant search engines would index links in comments: by default WordPress uses ‘nofollow‘ on comments to stop spammers abusing them to boost search engine rankings, but that prevents genuine commenters getting credit for their contributions.

One problem: as one commenter pointed out, the blog as a whole was set to ‘noindex-nofollow’ “which equals a no trespasing sign for search engines for ALL of the site’s links. It’s Google suicide.” Continue reading

Should journalism degrees still prepare students for a news industry that doesn’t want them?

UPDATE (Aug 7 ’08): The Annual Survey of Journalism & Mass Communication Graduates suggests employment opportunities and salaries are not affected.

J-schools are generally set up to prepare students for the mainstream news industry: print and broadcasting, with a growing focus on those industries’ online arms. There’s just one small problem. That industry isn’t exactly splashing out on job ads at the moment…

The LA Times is cutting 150 editorial jobs and reducing pages by 15%; The Atlanta Journal-Constitution cutting nearly 200 jobs; the Wall Street Journal cutting 50 jobs; Thomson Reuters axing 140 jobs; in the UK Newsquest is outsourcing prepress work to India, while also cutting jobs in York and Brighton; Reed Business Information, Trinity Mirror and IPC are all putting a freeze on recruitment, with Trinity Mirror also cancelling its graduate training scheme and cutting subbing jobs. In the past two months almost 4,000 jobs have vanished at US newspapers (Mark Potts has this breakdown of June’s 1000 US redundancies). In the past ten years the number of journalists in the US is said to have gone down by 25%.

Given these depressing stats I’ve been conducting a form of open ‘panel discussion’ format via Seesmic with a number of journalists and academics, asking whether journalism schools ought to revisit their assumptions about graduate destinations – and therefore what they teach. The main thread is below.

The responses are worth browsing through. Here’s my attempt at a digest: Continue reading

BASIC principles of online journalism: B is for Brevity

In the first part of a five-part series, I explore how and why a talent for brevity is one of the basic skills an online journalist needs – whether writing an article or employing multimedia. This will form part of a forthcoming book on online journalism – comments very much invited.

It shouldn’t have to be said that the web is different, but I’ll say it anyway: the web is different. It is not print, it is not television, it is not radio.

So why write content for the web in the same way that you might write for a newspaper or a news broadcast?

Organisations used to do this, and some still do. It was called ‘shovelware’, a process by which content created for another medium (generally print) was ‘shovelled’ onto the web with nary a care for whether that was appropriate or not.

It was not.

People read websites very differently to how they read newspapers, watch television or listen to radio. For a start, they read 25% slower than they do with print – this is because computer screens have a much lower resolution than print: 72 dots in every square inch compared to around 150-300 in newspapers and magazines (this may change, but usage patterns are likely to stay the same for some time yet).

As a result, you need to communicate your story in less time than you would in print. You need to develop brevity. Continue reading